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Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Wednesday, February 24, 2010

Me, or something like it.

Lately I have been searching for something without a name. I follow it and it chases me. I hide and it finds me. It reels me in and spits me out a different person everyday. What I am with you now is not who I have been. I have to look into the mirror to remember that I’m not someone else. To remember that I’m not that impulsive, passionate, irrational, glowing face I see staring back at me.

I’m not that. But I chase it. I see you in the wake of it, casually begging me to catch up. Your nonchalance about this Jekyll and Hyde within me makes me want to keep up with you even more, prove to you that I am what I see in the mirror when I don’t recognize myself. Knowing you makes that seems attainable and inescapable all at once.

It’s not something that I embrace heedlessly. Most of the time it jumps up from behind or out from murky blue-gray shadows on horribly lit streets or I see it when nothing’s there at all. It’s something I have created that you have control over. It’s a prison with no bars that I sit in willingly and without cause.

I am disenchanted and I don’t care. It’s something, really. To walk around in a dream all the time, not knowing which person I am, torn between who I am with you and who I am with someone else. And it’s silly to think I can remain both.

Thursday, February 18, 2010

Made my day on a day that needed making.

I received this email from a colleague who read my NPR, "This I Believe" essay titled, "Why I write."

Your essay was absolutely amazing. I am a writer as well and constantly ask myself why in the world I do it. J I cannot begin to tell you the renewal you have brought to my day. Reading your words was like inhaling ocean air for me. Thank you for weaving your words together so beautifully. You have a gift – thank you for sharing it.

I hope we have time for a conversation one day. I look forward to it.


And right there. That inspired me.

More writing to come. I promise.

Thursday, November 12, 2009

My muse is one fickle bitch.

She is patronizing in her arbitrariness, disdainful in her elusiveness.

For months now I have begged her to return to me, chucked my pride out the car window at 85 mph into the dark of night as I scan shadowy back roads to find her, calling out her name, wildly into the midnight air, heavy with anticipation.

I’ve set up altars in her name, promised my soul to her for just one fleeting moment again to bask in the possibility and clarity she provides.

It’s just now that I realize she only turns up when I’m completely broken, delighting in kicking around the pieces of me for a while as I watch on, eyes wide with disbelief. It always takes a few moments before I notice that I am actually mistaken.

Her enjoyment is not in the kicking around, but in the putting back together.

Tuesday, November 03, 2009

Ghost Writer

I am not the heroine of this story.

I am not the villain.

And yet it’s still so familiar being here, dropped off blindfolded at a different place in the telling of it. I’m wandering, arms outstretched, stubbornly refusing to take off the blindfold so I don’t have to see.

The ending.

Because this story we are writing is far more complicated than my last, with newer characters and heavier hearts, much bigger emotions than I am used to shaping metaphorically. I can create something out of nothing, turn dark into light with adjectives and clever syntax, but even the deftest of similies can’t erase what’s already been written.

And I’m shaking the pen, in a moment more desperately, and suddenly the ink is dry and I am left here with so many words and no way to compose the remaining chapters. I’m stuck here in a constant state of inhale.

Write it for me?

Finish it.

Don’t forget to write me into it?

Monday, October 19, 2009

Published on IndieInk again...

The Musician

Please check it out if you are at all interested.

Tuesday, September 29, 2009

When Writers Speak

A great read from the NYT for people like me who find eloquence in words on paper but complete unease and fumbling with real conversation.

NYT Article

Thursday, September 24, 2009

Reader Worthy



IndieBloggers has been reincarnated, praise the lord!

It is now IndieInk and you can read it here.

Friday, September 18, 2009

Calling All Writers!

I need help.

I am piecing together a new work to submit for publication. I have about 100 pages of material right now, I am just having trouble coming up with a cohesive way to tie everything together.

Here's what I envision:

An anthology of creative non-fiction pieces (mine) that are chronologically tied together. Has a diary-like feel, each entry separated by date. Not every piece is long. Some are one liners, some are three pages. In total, I'd like it to be about 150 pages.

My working title is "Weaving a Basketcase". I have a couple of subtitle options I am toying with. I don't even know if a subtitle is necessary.

Possible subtitles:

The Anatomy of a Break-Up
The Diary of a Hopeless Romantic
A Compilation of Notes to Myself
Blogging Myself Whole Again


Most of the pieces are posts from my blog from 2003 - Present and most of them have to do with my love life.

What I am struggling with is if this will even be readable. If you have read me before, please leave your comments.

Or, if you promise to be constructive, I will send you a copy of the working manuscript and you can tell me your thoughts. I am particularly having trouble with the transitions between posts/pieces. I don't know if people will have a hard time following the chronology, even with the date.

This is something I've wanted to compile for a while now; I just don't know if it's possible or how I would even begin to make it cohesive.

Any help you can give is much appreciated!

Thanks. :)

Wednesday, June 17, 2009

Quiet possibly the creepiest thing I've ever written.

This week our computers are being encrypted at work. All of the external media devices we use are being password-protected.

During this time I decided to clean up the external hard drive that I use for all my personal stuff. While doing this, I found a folder called "Old Papers" and the files for a portfolio I created for my final project in my "Literature of the Avant-Garde" course in college.

Strange, people. Very strange.

Apparently part of the project was to write four Avant-Garde plays of my own. I opened the file for this play called, "The End/Denouement".

Stage: The scene is set in a living room. There is one chair and the room is lit by one singular lamp. A man is seated in the chair. He’s staring off to his left, face in a relaxed hang, as though in thought.

Light flickers a bit. Almost unnoticeable.

Man: Singing. This is the end, beautiful friend, the end.

Man looks at his watch, sings again.

Man: This is the ennnnnd.

Man stops singing. Sits forward and speaks.

Man: Tell me what you see when the darkness finally ceases and tell me, do you like it?

The light goes out completely and for a moment the entire stage is dark.
A faint voice is heard, a radio broadcaster reporting traffic.

The stage is suddenly filled with white light, the chair is gone and in its place is a small boy. In one hand he holds a string, at the end of it is a green balloon, soaring above his head. In the other, a gun, pointed at the audience.


Boy: In a whisper. Bang.

Lights dim, curtains close, the radio program turns to static, then fades out.

Pretty dark for a girl who was known to wear tube tops and platforms while singing Def Leppard songs on the tops of tables.

I mean, is it Avant-Garde? Maybe. Creepy? Definitely.

I was pleasantly surprised to find this. I'll let you know if I find any more that are post-worthy.

Thursday, April 23, 2009

Warm days bring warm memories.

Looking back at the evolution of things, of me and where and who I am now, I don't think I've ever been the type of person who has all the answers. As with a lot of things, sureness has always teased my fingertips with its allure, but I've never been able to get a good grasp.

It just seems that I am destined to wear this heavy necklace of uncertainty, always dangling near my heart, whispering fears I can never seem to turn a deaf ear to.

But I'm also not someone who deals well with impossibilities.

"I love yous" that are buried so deeply it takes years of digging to unearth them.

The senseless turn of your attention. The tide of you.

Us.

But I've learned how to be patient. And this stubborn will is learning to bend instead of always finding itself hurled against a wall. I've grown tired of sweeping up that mess.

I long for days when easy words yield easy answers though I know I will always have to fight for them.

For days like that.

Tuesday, April 14, 2009

Whitman was never my thing.

In fields of grassy splendor,
An army of thin blades swipes at my shins,
It is here that I heed the gentle wisps
Of who I am.

Have you heard the whispering of the acres?
Have you felt your own breath slip in through the pine, vine,
Earthy meadows, purpled shadows, whiskers and into open spaces
To disintegrate into dust?

Have you seen the notes of your song
Dancing along the chords of a tree branch?

I have possessed nothing,
Only this and from this day forward I shall possess
Nothing but this.

And now, it seems the widening rays of the sun
Capture me like bars of a prison.

And I feel that I am at home on this earth.
And I feel not at all like a prisoner.

I lay and because I understand the lyrics,
You understand them.

They linger and sidle dirty skyscrapers,
Riding on top, mastering and taming them
Until they are polished and beautiful and the architecture
Of their faces shows lips pursed in the singing of a note.

And the city too, knows its song.

The lyrics bounce around with the desert sand
Careening and tumbling over and above the dunes
A quiet and explosive sound.
And an ocean of brown and gold and white spreads its body vast.

The waves roll and its song is played.

And the language of the lyrics I understand
Because I have always understood.

Rejoice and celebrate for your song is that of my own,
And of the city and of the desert.
But it is yours.

Like this one.
Like that one.
Like this one.

Thursday, October 09, 2008

Intermission

I know you're due for Part Three. I'm working on it. In the meantime, enjoy this piece I wrote a while back. Still very relevant!

Choose a life. Choose a job. Choose the fancy car or the modest car. Choose between cream and sugar. Choose to love a man, woman, pet, house, painting, ex-boyfriend, daughter, yourself. Choose paper or plastic. Choose the higher deductible and lower premium. Choose to get to know someone, something, someplace like the back of your hand. Choose well-done or rare. Choose to be happy, sad, excited, lonely, insecure, confident and outspoken. Choose to be all of them at once. Choose something. Choose your friends. Choose a big fucking television. Choose crazy over boring. Choose heels over flats. Choose to believe less in god and more in yourself. Choose a candidate. Choose 350 count instead of 200 count. Choose pride, greed, envy, wrath, lust, gluttony, and sloth. Choose to forgive him. Choose a restaurant, already! Choose lots and lots of books. Choose to create something remarkable. Choose forever or fleeting. Choose to make it easier on someone else, even if it makes it harder on you. Choose to deserve better. Choose to want, to sing, to dream. Choose Grey Goose or Absolut. Choose differently this time. Choose red and gold and green and bright blue. Choose to vote. Choose whether or not he makes you mad today. Choose big white lies. Choose compassion everytime. Choose to say yes. Choose Chekhov over reality TV. Choose to open a window when a door closes. Choose to be brave. Choose to turn it up, not off. Choose a party affiliation. Choose to cry, pound, scream, kick, punch, yell. Choose to feel something. Choose to be unsure. Choose the Cubs or the Sox, not both. Choose your favorite memory and keep it close. Choose love, always. Choose your own destiny. Choose mismatching socks today. Choose something heartfelt over expensive. Choose me. Choose you.

Just choose.

Tuesday, May 27, 2008

Doesn't share well with others.

In an age where the "share everything" mentality has become the mantra of all twenty-somethings, I have to think, why?

Why do I feel compelled to churn away at my keyboard, advancing screen after screen of thought after thought. Why do I not feel some sort of satisfaction from censoring the good parts and keeping them for myself?

There was a time when writing was a very private thing for me. When I could sit down, get black on white and come full circle within myself. Some people figure things out with equations or by talking it out with a therapist until it makes sense. I figure things out on paper. With words. With the way they sound. How each one connects to each other. And after I place that last period, my thoughts somehow end up making sense.

That hasn't come as easily to me lately and I can't help but feel that in gaining an audience, I've also lost something.

I think there's something to being transparent. To disclose without fear or favor. But lately, all of this capricious divulging seems purposeless and unoriginal. It seems driven by a motivation that's foreign to me. And I don't feel as close to my thoughts as I usually do.

Maybe it's because instead of coming full circle on paper, I've finally done it out there. In real life.

And now. There's just less to figure out.

Thursday, April 24, 2008

The latest.

I just received confirmation from NPR that they are including my essay on "Why I write" in their This I Believe segment.

Check it out.

This means more to me than being published in any flimsy book.

Friday, March 21, 2008

Genuinely delighted.


The good people at Indie Bloggers decided my below piece was good enough to post.

Definitely check out the site. Some very good writing going on there.

Have a great weekend everyone!

Wednesday, March 19, 2008

Why I write.

I write to keep the world in perspective. To knock it back from its skewed axis enough to try and understand it. I write to avoid the ever-feared cliché, to get inside the ring with a paragraph and work it over until it pleads for the bell. I write because I am hopelessly in love with the sound of words. All of my books have haphazardly scribbled in margins and dog-eared pages. A star here, an underlined passage there. I can't think of any other way to read a book than to constantly remind myself of why, if not to write.

Mostly, I think I write to discover foreign lands within myself. I wonder oftentimes about those who take no pleasure in it, why? Perhaps it would be wise to consider leaving the shore more than once in a while.

In a world where what we see is what we get, it is important as writers to brighten that image; to make it accessible to as many people as possible. We can make blades of grass into tiny green swords that swipe at our shins. Skyscrapers become stilts for God. Tree branches are like twisted, arthritic hands. We hold the power of metamorphosis in our hands and all we have to do is get black on white. But we are not magicians. We can’t turn numbness into passion. We can’t use our pencils to erase wrong, and the sting of heartache still smolders even when cloaked in eloquent language.

Sometimes I wonder if the seeds of my existence were watered with the ink of great authors and this is what pushes my pen to the paper at night and on sad days. Or maybe it is simply the need to write. What is true in the world? What is our purpose in the universe? How do I live my life? On countless pages, I deliberate. I spread the wrinkles of my mind flat in order to take more in and then I write.

Sometimes I wonder at the eerie fleetingness of the written word. When a writer settles into his bed at night and picks up his journal to record the slips and falls of his day, it seems odd to me the urgency to get it all down. It’s sad really, the art of writing things down in a journal or diary because when you think about it, we write things down to remember them later. Do I write because I want to remember my own life?

Inevitably, the answer to that question, like many of the wonders of the world, is to write. It is a vicious cycle, like playing duck-duck-goose with myself. I must write in order to understand why I write.

Stepping onto foreign soil is not always the easiest task. There are many obstacles to tackle on the road to self-discovery. Writers are pretentious, arrogant. We belong to workshops, we are serious. We are the most popular kids in school and also the ones who care less about football games and more about Chaucer or scientific notation. We like to talk about words. We hate each other, are viciously jealous, but can recognize a good thing when we read it, even if it is not our own. We steal from Joyce, Hemingway, Baldwin and Whitman with no intentions of returning what we take. We scan the dictionary for the perfect word, and then devour it like wolves. We are ruthless, proud, demure, and calculating, but at least we are all these things together.

A writer’s biggest fear and ally is the world itself. I am sometimes afraid that I will not be able to adequately and justly recount the world around me. It is almost like a blind man seeing for the first time. There are so many aspects to sight: color, space, shade, size, movement, that to realize all these things at once would send any mind reeling.

As a writer, I fear this disillusion, yet desperately seek to capture it. No matter how difficult, if a writer succeeds, then he or she has contained the world---lassoed its rearing, ugly head and corked it in, like a tiny ship in a bottle. From this triumph, we can poke and prod to learn more about ourselves and our lives within this world. We begin to understand from rolling the bottle between our hands how small the world is, and what connects us to its every aspect. Language transcends barriers of race and gender. We name everything, like Adam and Eve voraciously scouring the Garden of Eden, in hopes of lending meaning to what we see. Words act as grafts between cultures. And ultimately, writer or not, we begin to see worth in the art of writing.

And I do think that only the observant eye of a writer could capture all the elements of sight at once. However, unlike a photographer, our negatives develop on paper. Instead of using shadow and light to know something is round, we use adjectives and similes. We can sway a reader by changing the round object into a ripe, fuzzy peach, or a different kind of round, the ethereal sphere of a bubble freshly blown. A photograph cannot intensify the experience, it only documents the reality.

Some say the written world is not real. They claim it is an embellished representation of what one person thinks is real. I disagree. Allowing ourselves into other people’s perceptions is what makes our lives real. By stepping onto their shores, we are given permission to question, to run about barefoot and wonder like a child. We see for the first time all over again.

The written world is the only medium that lets us travel to these foreign lands consistently and without resistance. Writers offer a kind of displacement that one can only get lost in through words. A good book can take you anywhere you want to go. Where else are we permitted to wander and explore the capacities of our own minds and free ourselves of the world we know for a moment or two?

Writing is the fount of our existence. For thousands of years, writers have existed from the primitive scrawlings of the cavemen to the circumspectly structured theories of the philosophers. That is not to say that in order to write, you must be one of the world’s greatest thinkers, this is plainly not the case as so clearly demonstrated by this meager blog. I think some of the best writers do write for a higher purpose, they too, are in search of a safe harbor for their thoughts.

But perhaps writing is for the bold. It is for people who seek to find and don’t stop until they have reached somewhere they have never been. It is for those few who have an irreconcilable need to express. And again, for those who simply wish to create something they are proud of. Ayn Rand said that she decided to be a writer, not in order to save the world, or to serve her fellow men, but for the simple, personal, selfish, and egotistical happiness of creating the kind of men and events she could like, respect and admire. There is a certain poignancy in wanting to assemble something as honest as that. Maybe that's why I was so indignant when the pieces I wrote were published as something different than I had intended. I cared about those words; seeded and watered them until what grew was perfectly in bloom with my thoughts. It's selfish, but for the first time in a long while, I think that's okay.

I sometimes laugh when I call myself a writer. Images of me in twenty years in a dimly lit room with bad wallpaper, hunched over a typewriter, a cigarette dangling from my lips and a short glass of warm liquor on the desk next to me abound through my head. I see my face, and I am shocked at the immutable frown I wear. Then, I look more closely and see the corners of my mouth quiver and upturn ever so slightly and I know this is the beginnings of a smile.

I am revealed, I have found another sandy shore.

Tuesday, March 18, 2008

So this is what bittersweet tastes like.

So I got my copies of the book today, upon returning to my office. All of the sudden it was Christmas morning again, and I was six years old, tearing into my presents on the floor of my parent's living room.

Only what I opened was not mine.

For two years I have anxiously awaited the moment I see my own words in print. As I paged through the book, my finger carefully following the inked out words, my heart sank.

The voice on the page was not mine.

There are three essays of mine included in the anthology. I wrote all three with that urgent, pulling metaphoric tone that has become my definitive writing style. I feel like you would be able to recognize a Megan Gates piece out of a pile of many. And I like that. And I take pride in that. I have cultivated something that belongs to me. My voice.

All three essays were changed so much by the editors, it was as if someone else wrote them.

I understand that by signing that contract two years ago, I gave up some creative freedom. Honestly, I expected that.

But what they reconstructed is foreign to me.

The last paragraph of "Love Letters for Dummies" is not mine and it's terrible. Where is the edge? The sardonic undercurrent? I wrote them into the words expressly and now it sounds like a sappy, harlequin romance essay. Hmpf.

The work I did was good. I am upset that it was changed and not even for the better.

Am I overreacting? Is this naive?

Every single word was picked circumspectly for each sentence that cradles it. Every comma, deliberate. Every line break, invaluable.

All I have are my words and the integrity of who I am as a writer.

And somehow, that was lost.

Sigh.

Tuesday, March 04, 2008

This self-promotion is anything but shameless.


My book is published!

And I say "my book", but it's really an anthology of many other talented writers' material as well.

You can buy it here, or eventually on Amazon.com.

Also, the publisher featured an excerpt from one of my included pieces on their website here.

Check it out!

Monday, March 03, 2008

For Adam, who gave my words melody.

Today I swallowed the ocean.

Choked it down until I could breathe again. Tears spilled down onto my clothes for all of those times I told myself I would not give in. But I do. I give in and I can't help it, but I'm not ruled by the same things as you are. This heart forces me to do things I don't want to. It stands at the helm, twisting and turning the wheel, sending me tumbling about below deck.

It's a difficult life this way, but there's nothing I can do about it.

I swallowed the ocean today and it had a bittersweet taste.